June 21, 2010
At Litchfield, Ct.
Martha Weik called a few days ago. Martha is the woman I met atop Mohawk Mountain on a cool morning in late April. (See “Martha on the Mountain,” April 30) She had made a hiking stick that she wanted to give me. Could we meet? Of course. We met in Litchfield and talked for an hour over coffee, much longer than our first meeting two months ago.
Martha, 82, talked about her family, what her children were doing in their careers, all the interests that keep her busy. I told her about my family, what my young adult kids were up to in their fledgling careers. We got to know each other better. There was almost no talk of politics; in fact, almost no talk of anything topical in the newsy sense. We talked a lot about place, about Connecticut, especially Connecticut over the decades. She is one of those people, a kindred spirit, who loves the history and traditions of the state, who is happy to recall long ago life and landscapes, as you might expect from someone who can trace her lineage to the Mayflower. Did I know where Swift’s Bridge used to be on the Housatonic River in Kent? Yes, I stopped there in my canoe twice, though the bridge was long gone when I went by. Well, she swam there as a child, when there still was a Swift’s Bridge. Did I remember what Deer Island on Bantam Lake used to be like, when the cows roamed there? No, I couldn’t remember the cows, but I remember a quieter Bantam Lake of many years ago. We talked of rivers, mountains, and trails. The hour flew by.
All the while my new walking stick rested against our table. She had taken 7 or 8 newly made hiking staffs from her car and given me a choice. Martha takes saplings, whittles them into shape and, using a wood-burning tool, decorates them, often with whimsical objects or creatures. The walking stick was, she said, a thank you for the words I had written about her. I picked the stick upon which she had etched “Connecticut,” along with images of a fox, a wildflower and the street-side clock that can be seen along Route 44 in Norfolk, one of Connecticut’s special places. Atop the stick Martha etched her initials, and the year. There were decorative touches top to bottom, and a rawhide strap on the handle. This was folk art meant to be used. Next hike it goes into service.
I told her I wanted to write something in this journal about my new walking stick. She wanted to be sure I knew she did not give me a stick to get publicity. I already knew Martha well enough – knew this in our first brief meeting, really – to know that publicity never entered her mind. She made me a walking stick because she is the Martha I met on the Mountain; an exemplar of the best New England traditions.



